A French puzzle in Lee
by David Atwell
Until a few months ago I lived on the other
side of Blackheath
and my clearest visual recollection of Lee Manor
Conservation Area was
the curious group of "frenchified" houses in
Since last June, living in the heart of the area, I have been more
than ever struck by this odd outbreak of Francophilia in what is
otherwise so very typically a late Victorian and Edwardian suburb.
For once the local history collections are no help for there are
no papers or other records relating specifically to this group of
houses, although there are photographs of their most distinctive
internal feature: the moveable partition that can be raised or lowered
rather like a portcullis to divide the main through room on the ground
Whilst this homage to the domestic styles of northern France may
be rare in south-east London, there are precedents dating from earlier
in the Victorian era, especially in relation to the handsome scale
of these houses. As H. J. Dyos revealed in his study of Camberwell,
one can identify the different levels of social class from the types
of tree that were planted on the streets of the emergent suburban
way of life. Limes and horse chestnuts were the mark of roads lived
in by the well-to-do, acacias and laburnums were for those of middle
incomes. and bare pavements were for the working class however heightened
were their social aspirations.
here for a printable version of this article (pdf)
||We find the first serious outbreaks In London of the sort of bastardised
French Renaissance that led to Micheldever Road in 1860. The Grosvenor
Hotel by Victoria Station, and Grosvenor Gardens and Place, display
a multitude of pavilion roofs, mansards and dormers, seemingly barbaric
relics of an imperfect memory following a whistle-stop tour of the
Loire chateaux. The architect James Knowles Junior practised for
these with 'The Cedars', a pair of identical five-storey blocks completed
in 1860 on the north side of Clapham Common. For all their quasi-French
skyline, the detailing is decidedly crude, wholely tasteless and
grossly un-French , as were later terraces in Mayfair and Maida Vale.
The fondness for French chateaux became a country house craze: Baron
Ferdinand de Rothschild imported it authentically, if incongruously
, to Buckinghamshire in 1874
in the shape of Waddesdon Manor, the achievement of Parisian architect
Hippolyte Destailleur. It was a style that suffered a heavy casualty
rate: Normanhurst in Sussex (1867 by Habershon, Brock and Webb) was
demolished in 1951; Newnham Paddox, Warwickshire (T. H. Wyatt 1875)
was pulled down in 1952; And St. Leonards HIll, Berkshire (C. H.
Howell 1875) has long been a ruin. One that does survive is the Bowes
Museum at Barnard Castle, Durham, designed by J E. Watson in 1869.
North of the border it became 'Scottish Baronial' which, as R. Furneaux
Jordan remarked, .”satisfied starved minds hungry for romance.” .,
The line to Micheldever Road is stylistically clear though not so
frequently trodden as authentic stone gave way to
||humbler brick. As the new suburbs were built for the parvenu merchants,
manufacturers, bankers and brokers, so the better houses had to be
a little bit different. On one hand was the fight against urban squalor
and the reaction against "sham" Regency stucco. On the
other was the inevitable result: a headlong descent into "revivals" and
an ever coarsening stylistic vulgarity . There was still-mercifully-
a long way to go before the sordid excesses of stockbrokers’ Tudor.
So the Micheldever Road houses are anything but dreary: indeed they
are refreshingly unconventional for their time, a cross between a
provincial French town hall and the more prosperous housing of northern
France or the Brussels suburbs. It is no co-incidence to find that
a major housebuilder of the time, W. G. Tarrant Sons and Co., was
of Byfleet AND CALAIS.
The continuity of these fascinating houses is important in itself:
they have survived remarkably unscathed with slated pavilion roofs
and dormers. They are not .'Iistable"
by the current criteria of the Department of
the Environment. Being in a Conservation Area protects them from
the worst of the home ”improvements” industry, but
one wonders whether the local authority should act more positively.
Conservation Areas should be subject to development policy guidelines
which actively seek not only to enhance but also to control alterations
by means of “Directions” scheduling features for the
purpose of retention and eventually, one hopes, for the availability
of grant aid for repair and restoration.
© 1988 David Atwell